The official explanation is that it’s a story-based game and Atlus doesn’t want the story spoiled for people who haven’t had a chance to play it themselves. A cynic like myself, however, might entertain the notion that it’s also an attempt to prevent people from just sitting down and watching a playthrough on YouTube or Twitch instead of going out and actually buying their own copy.
The question then becomes: do streamers or YouTubers who play games from start-to-finish — particularly games that rely heavily on an unfolding narrative, like adventure games — hurt sales of those games?
Not so long ago, I watched some Let’s Plays of Resident Evil 7, and wanted to write about being surprised that, for the first time in my life, I found myself actually giving a shit about a Resident Evil game. I’ve also watched the DLC stuff — in fact, recently, I watched some of the second DLC package, in particular the “Daughters” segment.
Now I feel like I have a handle on what I actually want to talk about, which is what made me suddenly give a shit about Resident Evil. It’s not just the masterfully creepy suspense that I think almost everyone agrees is done to damn near perfection. It’s also the keen sense of world-building and history that went into crafting the story.
Because, on the surface, Resident Evil 7 sounds like any survival horror game: you’re trapped in a confined location, monsters are out to get you, and you have to survive while the game does everything in its power to dick you over. Monsters will jump out when you least expect it; you’re always running out of space in your inventory; you’ve never got enough bullets in your gun to take down even the puniest of enemies.
Even story-wise, at least on paper, it sounds kind of hokey. A rural family in Louisiana has gone batshit insane, apparently taking your wife hostage, and your first instinct is to just go in there after her, instead of doing something sensible, like call the police or, at the very least, bring a fucking gun.
There’s more going on here than what’s just at the surface, though. So I want to dive into that for a bit, but first:
Huge, dinosauric spoiler warning. If you haven’t played Resident Evil 7 yourself, and you intend to at some point in your life, you might want to find something else to read.
This has been a long time coming, but I was recently reminded of this topic as I have been (glacially) doing the groundwork for Space Quest Historian: The Adventure Game. When you’re making a game, one of the things you have to settle on early is what kind of user interface the game will be using.
And for the SQH game, I wanted to use my favorite type of adventure game U.I. ever. Turns out that’s not easy to do in AGS, but that’s not what this blog is about. Right now, I just want to tell you what that U.I. actually is.
Surprised? Well, don’t be. Whatever you may think of Leisure Suit Larry 7, I will fight anyone who says that isn’t the best adventure game interface ever devised. Let me briefly explain how it works.
I guess this is what they call “coming full circle,” eh? The podcast that inspired me to start my own podcast allowed me to do my own guest episode for that podcast.
Confused yet? Don’t be. It just means that I got the chance to do my very own episode of Upper Memory Block, the podcast usually hosted by Joe Mastroianni. But because he’s off populating the Earth, he asked friends if they wouldn’t mind keeping his show alive while he was tending to the new heir to the throne, and I was fortunate enough to be included in that roster of people.
The game I’m covering is Steel Empire (also known as Cyber Empires in North America); a little-known strategy/arcade hybrid by then-fledgling company Silicon Knights.
I even managed to score an interview with Silicon Knights founder Denis Dyack, who kindly spoke to me for an hour about making the game. There’s about 30 minutes of the interview in the episode itself, but I put the full-length interview on Mixcloud.